From the Archives — Review: In a Treacherous Court by Michelle Diener

This post is part of my new From the Archives series, where I revisit older reviews. Some will be unchanged, others will have a bit more added perspective.
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Title: In a Treacherous Court
Author: Michelle Diener
Series: Susanna Horenbout and John Parker #1
Publication: August 2, 2011 by Gallery Books, Simon & Schuster
Genre: Historical Fiction
Read in: October 2012
Rating: 5/5★

Henry VIII’s most lethal courtier and his newly appointed artist become the only thing keeping him on the throne—and if they survive, neither will ever be the same.

John Parker is one of Henry VIII most useful courtiers—utterly merciless and completely loyal. But one small favor for his king will pull Parker into a deadly plot against the throne, one that will test his courage, his resolve, and most especially, his heart.

A commission from Henry VIII should have been the crowning achievement of Susanna Horenbout’s career, but before the beautiful and talented artist even sets foot in England, she finds herself in possession of a secret that could change its history.

With Parker as her only protection against killers who will stop at nothing to silence her, Susanna has to trust the dangerous, enigmatic courtier.

She’s used to fighting in a man’s world, but she never expected to be fighting for her life.

Susanna was send by her father to become Henry VIII's new painter. When she arrived, it wasn't long before there was an attempt on her life. John Parker, one of the King's most dangerous courtiers, was then charged to keep her safe. More attacks follow and slowly a conspiracy against the throne is revealed. The more Susanna and Parker find out about the secret plot, the more deathly it becomes.

I loved In a Treacherous Court right from the start. Susanna was a great heroine. Strong, witty, talented and beautiful. I loved her voice and the way she handled herself against all the attacks she had to endure. I'm pretty sure most people would crack under the pressure but she always held herself standing straight. Of course, Susanna being Flemish helped me like her a lot too since I'm Flemish as well. Parker... oh I just loved him. Michelle Diener really has a knack for creating not only amazing female characters but also swoon-worthy and protective men. I loved how they used to call him "Parker the Cold, Parker the Merciless and Parker the Lone Wolf" before he met Susanna.

This book was so exciting! It really, truly was. Lots of attacks and fighting so there never was a boring moment. The mystery and suspense were killing me, especially at the last part. I was so afraid everything wouldn't turn out okay in the end. And the author's writing! That must be my favorite thing about In a Treacherous Court. Michelle Diener truly is my new favorite writer. It was so fast paced and amazing that when I had only 100 pages left, I forced myself to stop reading because I didn't want it to be over so soon. I absolutely got sucked in. When I did finish the book, I actually felt really sad. I need more, way much more! Luckily for me there's an ebook and another novel after this one so once I get my hands on them, I'll be good.

The romance between Susanna and Parker was perfect. They were attracted to each other pretty much right away but this isn't a bad thing. In this novel it worked perfectly. They knew from one another that they wanted each other, also a thing I loved. No confusion or anything about their feelings for each other except that Susanna thinks she wouldn't make a very good wife, but we'll see. I think Parker can handle her artistic ways perfectly.

In a Treacherous Court by Michelle Diener is an exceptional debut. The historical information as well as the romance and suspense meshed so well together. It was beautifully written, fast paced and just a really enjoyable read. This novel will grip the reader so fast, never letting go, until the very end.

In a Treacherous Court was rereleased in 2023 with a beautiful new cover by Daisey Crown Press. I have yet to buy myself a copy of it (I need to own that cover!) but I hope I can do it soon. 😍

About the author:

Michelle Diener is the bestselling, awardinning author of historical fiction, fantasy and science fiction romance novels. Having worked in publishing and IT, she’s now very happy crafting new worlds and interesting characters. 

Michelle was born in London and currently lives in Australia with her husband and children.

When she’s not writing, you can find her on her author Facebook page, interacting with readers on her Facebook Readers’ Group, on Instagram or Threads.

 

Top Ten Tuesday: Books On My Spring 2026 To-Read List

                                 

Top Ten Tuesday is hosted by That Artsy Reader Girl.

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This Week's Topic:
Books On My Spring 2026 To-Read List

The Temptation of Charlotte North by Camilla Bruce
Two Can Play by Ali Hazelwood

Berenice: Queen in Roman Judea by Bruce Chilton
Lady Wallflower by Scarlett Scott

The Wolf King by Lauren Palphreyman
Fury Bound by Sable Sorensen

Frozen by Stardust by Elizabeth Helen
A Founding Mother by Stephanie Dray & Laura Kamoie

Aphrodisia: Women, Sex and Pleasure in the Classical World by Jean Menzies
The Brides by Charlotte Cross

Have you read any of these books?

Book Blitz: Maiden Tomb by Cynthia Sally Haggard + Paperback Giveaway (INTL)

Welcome to the book blitz of Maiden Tomb by Cynthia Sally Haggard, the first book in the Twelve Cursed Maidens series. Don't forget to check out the giveaway below to win a paperback copy of Maiden Tomb. (There will be 2 winners)
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Maiden Tomb by Cynthia Sally Haggard
(Twelve Cursed Maidens, #1)
Publication date: February 5th 2025
Genres: Adult, Fairy Tales, Fantasy, Historical, Retelling, Romance

Follow twelve princesses down a dark tunnel into a grove of jeweled trees to a too-placid lake, where a prince will row you across to a gleaming castle to dance the night away. This historical fantasy—a retelling of the Twelve Dancing Princesses folktale—drifts backwards in time from the Early Middle Ages of Sicily to the Bronze Age of the Trojan War. It is perfect for fans of Circe and Spinning Silver.

Sixteen-year-old Justice wants to release her sisters from the jaws of Father’s imprisonment. But what can she do? The easiest way would be to find suitors for them.

However, that is not so easy, for Justice’s elder sisters are strange. What with All-Gifted’s madness, Protectress’s hair writhing with snakes, Death-Bringer’s grief (not to mention her strange name), Shining’s scandalous doings, Maiden’s tart tongue, Shadow’s crippling shyness, no sensible man would want her sisters as wives. Which leaves Justice, the seventh daughter, the one who possesses a quiet authority.

Maiden Tomb, Book One of the Twelve Cursed Maidens series, is a clean enemies-to-lovers romance.

The original fairytale—about twelve young ladies dancing all night—sounds so jolly doesn’t it? But I don’t think Twelve Dancing Princesses is about dancing at all.

I think it is about death.

Why do I think that? Well there appear to be some elements to the tale that go back, way back, hundreds, no, thousands of years, back into the Ancient World.

First of all, being rowed across a body of water sounds like a thread of Greek Mythology found its way into this tale. It is very reminiscent of Charon the boatman rowing the souls of the newly dead across the River Styx.

Then there are those jeweled trees. Where do they come from? Several scholars believe that element of the story comes from the Tale of Gilgamesh, which may have been originally composed around 1800 BCE. It tells the story of Gilgamesh, a King of Uruk a city-state in Sumeria, who is grieving for the death of his best friend. According to scholars, Gilgamesh ruled the Kingdom of Uruk in around 2700 BCE.

Then there are the princesses themselves. Have you ever wondered why their are twelve princesses? Again, the answer points towards the ancient kingdom of Sumeria, which existed in what is now present day Iraq, beginning in around 6,000 BCE. The Sumerians were renowned astronomers who used a base-12 numerical system, unlike the base-10 or decimal system we use today.

And so, there you have it. When you dig below the surface, a charming story from Europe has roots in the Middle East and seems to be thousands of years old!

And so, when I came to write Maiden Tomb, a piece of women’s fiction that explores the all-too-often captivity of women, I put back all those elements. We have the Gilgamesh epic, and elements of Greek Mythology, complete with snakes, ancient gods, and powerful goddesses. And far from being a jolly novel about young people dancing, as the title suggests, I made it a book about death.

I hope you find this coming-of-age novella as enjoyable to read as I found it fascinating to write.

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EXCERPT:

In the past week or so since we’ve arrived, life has taken on a predictable rhythm. I spend the mornings entertaining the ladies of the castle, with the lyre, my singing, playing knucklebones, and listening to their gossip. Truth to tell, nothing they say is particularly interesting as high-born ladies spend their time inside. When they are not diverting themselves with such pastimes as I provide, they are spinning, weaving, running the household, and caring for their children. They talk incessantly about their children. They know little of the outside world.

I escape after the midday meal, taking advantage of the ladies’ habit of resting as the sun’s chariot crests at the highest point of the day. While they sleep, I head out into the scorching countryside looking for Father.

We sit together in the shade, while Father does some task, usually repairing something, while I tell him everything I’ve learned the evening before. It is not that hard. Because I am small, and people are now familiar with my face, no one pays me any mind as I take my seat at the bench that runs along the side of the huge table where all the working folk of the castle eat their meals.

Father has told me never to be inquisitive, but I am dying to know more about the twelve mysterious ladies locked up in the castle tower, the ones people whisper about behind their hands when they think no-one is noticing.

As the light of the sun drains from the sky, as the king’s men sink lower onto wooden benches eating dish after dish, quail, pheasant, peacock, duck, eggs, bread, olive oil, wine, and olives, the noise of seven hundred men sharing jokes, laughing, and swilling wine reverberates around the hall.

Finally, I can take it no more.”Is it true what they say about the King’s daughters?”

The grizzled stranger on the bench next to me wipes the grease off his mouth with the back of a hand and spits out an olive pit.

“Where’ve you popped up from? You shouldn’t be here. You’re only a young lad.”

I am used to these remarks. After I left home I took a ship that was blown off course, taking me west to the land of the Italoi. I had to beg for money in the streets and in the taverns and it was not long before I heard news of Father, who was sailing to the west of this land.

And so I made my way across steep mountains before coming down to a lush plain. Playing my lyre to entertain strangers I followed their directions to the sea, to a wide bay within sight of a simmering, high, conical-shaped mountain.

And there, in a tavern, I met Father.

Now we are traveling home together. But Father is not here on the bench beside me, as he should be, but outside at a nearby farm pretending to be a stable hand.

This is one of Father’s clever strategies. He is a master at extracting information. He calls his strategy “divide and conquer” and it means that I have to use my lyre to find a berth for the night in some local chieftain’s house. This is not usually difficult, especially if there are ladies around because for some reason they always want to pet me.

Meanwhile, Father finds work on the outside as a shepherd, farmhand, or stable boy. By concealing his origins and pretending to be dumb, drunk, or both, Father is able to overhear a great many things. We have a plan to meet every day at noon, I escaping the blandishments of the ladies to visit the local farm for milk, cheese, eggs where I could happen upon the new stable boy, farmhand, or shepherd.

The only fly in the ointment is my age. I am only twelve years old and to my great annoyance, I look it. So Father made me memorize some phrases to offer when this issue arises.

“Father is here with me, but is suffering with an ache to his belly.”

One sentence is usually enough for most people. Father has instructed me never to offer explanations that are not asked for as it only makes people more curious.

But the fellow is staring at me, waiting for more.

I turn my eyes down. “Father told me to eat supper and then berth with him in the stable yard.”

“He’s the new stable hand, is he?”

I nod.

“Much good he’ll be with a bellyache.”

I look up. “Do you have a remedy for that good sir?”

Father always stresses the importance of asking for advice when a conversation turns sour, as it flatters the vanity.

The fellow hawks and spits, rising from his seat. “You’ll have to go to the kitchens for that, son.” He ambles off.

Author Bio:

Cynthia Sally Haggard was born and reared in Surrey, England. About 40 years ago, she surfaced in the United States, inhabiting the Mid-Atlantic region as she wound her way through four careers: violinist, cognitive scientist, medical writer, and novelist.

Her first novel, Thwarted Queen, a saga set in 1400s England with a Game of Thrones vibe, won the 2021 Gold Medal IPPY Award for Audiobook. Her second novel, Farewell My Life, a dark historical about a hidden murderer, won the 2021 Independent Press Award for Women’s Fiction and was the 2019 Distinguished Favorite for the New York City Big Book Award.

Cynthia graduated with an MFA in Creative Writing from Lesley University, Cambridge MA, in June 2015.

When she’s not annoying everyone by insisting her fictional characters are more real than they are, Cynthia likes to go for long walks, knit something glamorous, cook in her wonderful kitchen, and play the piano.

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